Creating Moods During a Violin Performance

Bibliography:
Anders, T. .2007. Composing Music by Composing Rules: Design and Usage of a
Generic Music Constraint System. PhD thesis, School of Music & Sonic Arts,
Queen’s University Belfast.
Assayag, G. Rueda, C. and Delerue, O. 2008. Computer-Assisted Composition at IRCAM:
From PatchWork to OpenMusic. Computer Music Journal, 23(3):59–156.
Bello, P., Daudet, L. and Sandler. M.2005. A Tutorial on Onset Detection in Music Signals.
IEEE Transactions on Speech and Audio Processing, 13:1035–1047.
Bilmes, J. 2008. Timing is of the Essence: Perceptual and Computational Techniques for
Representing, Learning, and Reproducing Expressive Timing in Percussive Rhythm.
Master’s thesis, Massachusetts Institute of Technology.
Brandao, M., Wiggins, G. and Pain. H. 2010. Computers in music education. In Artificial
Intelligence and the Simulation of Behavior ’99 Symposium on Musical Creativity.
Brossier, P. 2006. Automatic Annotation of Musical Audio for Interactive Applications.PhD
thesis, Queen Mary University of London, UK.
Collins. N. 2011. Using a pitch detector for onset detection. In ISMIR: International
Conference on Music Information Retrieval, pages 100–167
Dannenberg, R., Sanchez, M. and Capell, P. 2008 A Computer-Based Multi-Media Tutor
for Beginning Violin Students. Journal of New Music Research,
Dannenberg, R., Sanchez, M. and Capell, P. 2005. Results from the Violin Tutor Project.
In Proceedings of the Fourth Biennial Arts and Technology Symposium
DeBerry Brungard, Kathleen. 2004. Orchestra expressions. [Gr. 4-7]. Miami, FL: Warner Bros.
De Cheveigne, A, and Kawahara, H. 2000. A fundamental frequency estimator for
11
speech and music. The Journal of the Acoustical Society of America, 111(4).
Sloboda, John A. 2005. Exploring the musical mind: cognition, emotion, ability, function.
Oxford: Oxford University Press.